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Cultural Work And Transformative Arts

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  • John Vail
  • Robert G. Hollands

Abstract

The model of cultural work undertaken by the Amber Film and Photography Collective represents a radical challenge to the insecure and de-politicised world of cultural work that has long been the norm within the arts. Our paper, which explores the collective's diverse forms of cultural work, including paid labour, collective labour, gift labour and creative labour, argues that cultural work can be imbued with moral commitments and egalitarian ideals. The Amber collective functioned as much like a social movement organisation or a social economy enterprise as a cultural group: it was dedicated to creating alternative cultural networks and a new material foundation for cultural work. We emphasise how these shifting forms and strategies of cultural work underpinned substantial transformations within the Amber group itself.

Suggested Citation

  • John Vail & Robert G. Hollands, 2012. "Cultural Work And Transformative Arts," Journal of Cultural Economy, Taylor & Francis Journals, vol. 5(3), pages 337-353, March.
  • Handle: RePEc:taf:jculte:v:5:y:2012:i:3:p:337-353
    DOI: 10.1080/17530350.2012.676561
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    Cited by:

    1. Robert Hollands & John Vail, 2015. "Place imprinting and the arts: A case study of the Amber Collective," Local Economy, London South Bank University, vol. 30(2), pages 173-190, March.
    2. Charles Umney, 2017. "Moral economy, intermediaries and intensified competition in the labour market for function musicians," Work, Employment & Society, British Sociological Association, vol. 31(5), pages 834-850, October.
    3. Ana Alacovska & Joƫlle Bissonnette, 2021. "Care-ful Work: An Ethics of Care Approach to Contingent Labour in the Creative Industries," Journal of Business Ethics, Springer, vol. 169(1), pages 135-151, February.

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