Negotiating caste-subaltern imaginations of the 1943 Bengal famine: methodological underpinnings of a creative-collaborative practice

The Bengal famine of 1943 is one of the most catastrophic and violent outcomes of British colonial rule in India. Recently, there has been a surge in understanding the famine from an anti-colonial perspective. However, the relation between the impact of the famine and caste-based subalternities has not received adequate attention. The immediate concerns that arise with the task of filling this gap are ethical-methodological and narrative: even from the lens of caste-subaltern consciousness, how does one arrive at and share stories of the famine, and can they ever be ‘recovered’ and ‘represented’? This paper narrates the story of fieldwork-filming, carried out as part of ongoing research in artistic practice, which attempts to understand and engage with caste-subaltern (especially Dalit) experiences of the Bengal famine of 1943 and to explore methodologically how these experiences can be creatively and collaboratively imagined and negotiated. The paper proposes that there is a need to shift away from ‘recovery’ and ‘representation’ of the ‘authentic’ caste-subaltern experiences of the famine and towards negotiated imagination. To illustrate and make a case for this shift, this paper provides a detailed description and analysis of methodological processes and their implications that emerged during the fieldwork-filming.