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La naissance du roi de Rome et sa représentation à l'Académie impériale de musique

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  • David Chaillou

Abstract

[eng] Abstract Napoleon used the scene of the Paris Opéra (the Imperial Academy of Music) to build his own legend during his life. For instance he ordered works of circumstance like the «Triomphe du mois de Mars» written by Dupaty and Kreutzer to celebrate the birth of the King of Rome in march 1811. This article analyses the story of this piece of propaganda from the birth to its reception, focusing on the very strong implication of the imperial power. [fre] Résumé Napoléon utilisa la scène de l'Opéra de Paris (Académie impériale de musique) pour construire de son vivant sa légende Ainsi commanda-t-il des pièces de circonstance comme le Triomphe du mois de Mars écrit par Dupaty et Kreutzer pour célébrer la naissance du roi de Rome en mars 1811. Cet article analyse l'histoire de cette œuvre de propagande - de son élaboration à sa réception - en faisant ressortir la très forte implication du pouvoir impérial.

Suggested Citation

  • David Chaillou, 2003. "La naissance du roi de Rome et sa représentation à l'Académie impériale de musique," Histoire, économie & société, Programme National Persée, vol. 22(2), pages 207-215.
    • Handle: RePEc:prs:hiseco:hes_0752-5702_2003_num_22_2_2317
    DOI: 10.3406/hes.2003.2317
    Note: DOI:10.3406/hes.2003.2317
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