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Note sur la tenture de Robert de Lenoncourt de la cathédrale de Reims

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  • Sophie Savigny

Abstract

[fre] Résumé L'archevêque Robert de Lenoncourt offre en 1530 une tenture de chœur consacrée à la vie de la Vierge pour orner la cathédrale de Reims. L'étude iconographique révèle l'intention doctrinale du programme. Le choix des scènes, des textes tissés, des symboles se voue à la démonstration de l'Immaculée Conception de la Vierge. Les épisodes de L'Arbre de Jessé, des Perfections de la Vierge et des Trois Maries mêlent des habitudes iconographiques anciennes à des thèmes inspirés par la liturgie locale, le climat de Pré-Réforme à Reims, l'inspiration renouvelée des peintres et la volonté du donateur dans ce programme. [eng] Résumé In 1530 Archbishop Robert de Lenoncourt offered a choir tapestry depicting to life of the Virgin Mary to adorn Rheims cathedral. An iconographical study reveals the doctrinal intentions of this programme. The choice of the scenes, the interwoven texts, the symbols, tend to demonstrate the Virgin's Immaculate Conception. The episodes of the Tree of Jesse, of the Virgin's Perfections, of the Three Marys, blend old iconographical habits and new themes inspired by local lithurgy, the Pre-Reformation climate in Rheims, the Painter's renewed inspiration and the giver's intention in this programme.

Suggested Citation

  • Sophie Savigny, 1986. "Note sur la tenture de Robert de Lenoncourt de la cathédrale de Reims," Histoire, économie & société, Programme National Persée, vol. 5(3), pages 347-352.
    • Handle: RePEc:prs:hiseco:hes_0752-5702_1986_num_5_3_1430
    DOI: 10.3406/hes.1986.1430
    Note: DOI:10.3406/hes.1986.1430
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