Making and interpreting: digital humanities as embodied action

Digital technology has created new spaces, new realities and new ways of life, which have changed the way people perceive and recognise the world. In particular, the production, dissemination and reception methods of literature and art have been impacted upon significantly. Acknowledging humanities scholars have been engaged in conducting research while theorising and debating what Digital Humanities (DH) is/is not in the past two decades, this study extends current thought on DH by connecting it with the concept of sociological body, particularly thinking bodily interaction in relation to digital technologies in DH practice. The increasingly deepening integration of body and technology allows DH practice to become an event, in which embodied bodily action is situated in the (digital) environment that impacts on knowledge production. Acknowledging contemporary discourse regarding the two waves of DH, the article pays attention to the presence of the body whereby DH practice is bodily inclusive as mediated by digital technology, in which bodily interaction in producing knowledge via technologies reflects haptic experience and cultural constraints upon the sociological body. At the same time, technologies are not an innocent medium but an active contributor, so much so that we claim knowledge produced with the substantial involvement of digital technology is ‘digitised’ knowledge, as our critical interpretation towards a possible DH 3.0 practice that is subject to the core value of the humanities.