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Cuando «la diferencia» canta. La idiosincrasia gitana tradicional en el cante flamenco. De la oralidad a la escritura

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  • Pedro García Olivo

Abstract

Nos hallamos ante un aspecto capital, desde el que se rebate en nuestros días el privilegio otorgado a la escritura, como publiqué en este escrito en mi blog en noviembre de 2022. La oralidad no señala una imperfección o una carencia, sino una modalidad particular, en absoluto inferior, de elaboración y transmisión cultural. Los gitanos, en este sentido, no son “á-grafos”, “an-alfabetos” (¿por qué definir la singularidad en términos de una ausencia?): vivencian una cultura de la oralidad, en expresión de A. R. Luria, E. A. Havelock, W. Ong y otros.

Suggested Citation

  • Pedro García Olivo, 2023. "Cuando «la diferencia» canta. La idiosincrasia gitana tradicional en el cante flamenco. De la oralidad a la escritura," Revista Internacional de Educación y Análisis Social Crítico Mañé, Ferrer & Swartz., Servicios Académicos Intercontinentales SL, issue 01, may.
  • Handle: RePEc:erv:rieasc:y:2023:i:01:06
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