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Spacing identity: Unfolding social and spatial-material entanglements of identity performance

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  • Stang Våland, Marianne
  • Georg, Susse

Abstract

In this paper, we analyze how architectural design, and the spatial and material changes this involves, contributes to the continuous shaping of identities in an organization. Based upon a case study of organizational and architectural change in a municipal administration at a time of major public sector reforms, we examine how design interventions were used to (re)form work and professional relationships. The paper examines how engagements with spatial arrangements and material artifacts affected people’s sense of both occupational and organizational identity. Taking a relational approach to sociomateriality, the paper contributes to the further theorizing of space in organization studies by proposing the concept of spacing identity to capture the fluidity of identity performance.

Suggested Citation

  • Stang Våland, Marianne & Georg, Susse, 2018. "Spacing identity: Unfolding social and spatial-material entanglements of identity performance," Scandinavian Journal of Management, Elsevier, vol. 34(2), pages 193-204.
  • Handle: RePEc:eee:scaman:v:34:y:2018:i:2:p:193-204
    DOI: 10.1016/j.scaman.2018.04.002
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    References listed on IDEAS

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    1. Fabian Muniesa, 2014. "The Provoked Economy: Economic Reality and the Performative Turn," Post-Print halshs-00989576, HAL.
    2. Varda Wasserman & Michal Frenkel, 2011. "Organizational Aesthetics: Caught Between Identity Regulation and Culture Jamming," Organization Science, INFORMS, vol. 22(2), pages 503-521, April.
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    Cited by:

    1. Leclercq-Vandelannoitte, Aurélie, 2021. "“Seeing to be seen”: The manager’s political economy of visibility in new ways of working," European Management Journal, Elsevier, vol. 39(5), pages 605-616.
    2. Michel Ajzen & Laurent Taskin, 2021. "The re-regulation of working communities and relationships in the context of flexwork: A spacing identity approach," Post-Print halshs-03345447, HAL.

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