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El devenir animal del sujeto femenino: Tarazona, Lispector, Braidotti

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Abstract

La obra de la escritora mexicana Daniela Tarazona (1975) guarda ciertas similitudes con la de Clarice Lispector. Ambas recurren a elementos narrativos como la extrañeza y lo fantástico en algunas de sus novelas, pero sobre todo en dos: El animal sobre la piedra (Tarazona) y La pasión según G. H. (Lispector), donde abordan la identidad femenina desde los límites de la biología. Los personajes sufren mutaciones que las llevan a transgredir los roles de género tanto psicológicos, sociales y biológicos que las encarcelan; para lograrlo, deben transmutar hacia lo animal. Por medio de un método comparativo, se analizan estas dos novelas a través de la filosofía de Rosi Braidotti, quien a su vez retoma las ideas de Gilles Deleuze sobre el devenir-animal y el devenir-mujer.

Suggested Citation

  • Francisco Serratos, 2017. "El devenir animal del sujeto femenino: Tarazona, Lispector, Braidotti," Nóesis. Revista de Ciencias Sociales y Humanidades, Nóesis. Revista de Ciencias Sociales y Humanidades, vol. 26, pages 94-106, 51.
    • Handle: RePEc:cjz:noesis:516
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    More about this item

    Keywords

    Tarazona; Lispector; Braidotti; Deleuze; devenir-animal.;
    All these keywords.

    JEL classification:

    • Z10 - Other Special Topics - - Cultural Economics - - - General

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