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Economic circumstances of the performing artist: Baumol and Bowen thirty years on

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  • David Throsby

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  • David Throsby, 1996. "Economic circumstances of the performing artist: Baumol and Bowen thirty years on," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 20(3), pages 225-240, September.
    • Handle: RePEc:kap:jculte:v:20:y:1996:i:3:p:225-240
    DOI: 10.1007/s10824-005-5240-7
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    References listed on IDEAS

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    1. Adler, Moshe, 1985. "Stardom and Talent," American Economic Review, American Economic Association, vol. 75(1), pages 208-212, March.
    2. L. Wade, 1988. "Review," Public Choice, Springer, vol. 58(1), pages 99-100, July.
    3. Filer, Randall K, 1986. "The "Starving Artist"-Myth or Reality? Earnings of Artists in the United States," Journal of Political Economy, University of Chicago Press, vol. 94(1), pages 56-75, February.
    4. MacDonald, Glenn M, 1988. "The Economics of Rising Stars," American Economic Review, American Economic Association, vol. 78(1), pages 155-166, March.
    5. Rosen, Sherwin, 1981. "The Economics of Superstars," American Economic Review, American Economic Association, vol. 71(5), pages 845-858, December.
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    Cited by:

    1. van der Ploeg, Frederick, 2006. "The Making of Cultural Policy: A European Perspective," Handbook of the Economics of Art and Culture, in: V.A. Ginsburgh & D. Throsby (ed.), Handbook of the Economics of Art and Culture, edition 1, volume 1, chapter 34, pages 1183-1221, Elsevier.
    2. Kay H. Hofmann, 2021. "Television Serials as Career Stepping Stones: An Empirical Analysis of Employment Paths of Professional Actors," Schmalenbach Journal of Business Research, Springer, vol. 73(3), pages 501-525, December.
    3. Marco Mundelius, 2009. "Kultur- und Kreativberufler und deren Erwerbsrealitäten: Berlin im regionalen Vergleich ; Endbericht ; Forschungsprojekt im Auftrag der Berliner Senatsverwaltung für Wirtschaft, Technologie und Frauen," DIW Berlin: Politikberatung kompakt, DIW Berlin, German Institute for Economic Research, volume 48, number pbk48.
    4. Музычук, 2012. "Должно Ли Государство Финансировать Культуру? (Научный Доклад) [Should the state finance culture?]," Working papers a:pmu374:1, Institute of Economics.
    5. Amy Whitaker, 2021. "Economies of scope in artists’ incubator projects," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 45(4), pages 613-631, December.
    6. Haak, Carroll, 2005. "Künstler zwischen selbständiger und abhängiger Erwerbsarbeit," Discussion Papers, Research Unit: Labor Market Policy and Employment SP I 2005-107, WZB Berlin Social Science Center.
    7. Merijn Rengers & Erik Plug, 2001. "Private or Public?," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 25(1), pages 1-20, February.
    8. Luis Antonio Palma M. & Luis Fernando Aguado Q., 2010. "Economía de la cultura. Una nueva área de especialización de la economía," Revista de Economía Institucional, Universidad Externado de Colombia - Facultad de Economía, vol. 12(22), pages 129-165, January-J.
    9. Trine Bille & Knut Løyland & Anders Holm, 2017. "Work for Passion or Money? Variations in Artists’ Labor Supply," Kyklos, Wiley Blackwell, vol. 70(3), pages 347-380, August.

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