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Portrait des musiciens à l'heure du numérique

  • Bacache-Beauvallet, Maya
  • Bourreau, Marc
  • Moreau, François

L'industrie musicale est en crise alors que dans le même temps la consommation de musique ne s'est jamais aussi bien portée. Ces difficultés ont conduit à des politiques publiques défensives, concentrées sur la protection de la filière musicale contre le piratage. Pourtant l'impact du numérique est bien plus large. Les opportunités qu'il offre devraient, au contraire, conduire à des politiques d'encouragement, ou pour le moins à une neutralité de la puissance publique face à ces innovations du marché. Mais dans le débat public, la parole n'a guère été donnée aux artistes-interprètes pour qu'ils expriment leur opinion et décrivent leurs pratiques. Une enquête auprès des musiciens de l'ADAMI a permis de mettre en évidence leur forte hétérogénéité – dans leur position par rapport au piratage aussi bien que dans l'impact du numérique sur leurs revenus et leurs relations aux maisons de disque. Cet opuscule veut donc donner aux politiques publiques les moyens de trouver une réponse adaptée aux intérêts divergents des artistes.

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This book is provided by CEPREMAP in its series Opuscules du CEPREMAP with number 22 and published in 2011.
ISBN: 978-2-7288-0454-2
Handle: RePEc:cpm:opuscl:22
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  1. Victor Ginsburgh & David Throsby, 2006. "Handbook of the Eonomics of Art and Culture," ULB Institutional Repository 2013/152412, ULB -- Universite Libre de Bruxelles.
  2. Braunerhjelm, Pontus & Svensson, Roger, 2007. "The inventor's role: was Schumpeter right?," Working Paper Series in Economics and Institutions of Innovation 78, Royal Institute of Technology, CESIS - Centre of Excellence for Science and Innovation Studies.
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  7. Bhattacharjee, Sudip & Gopal, Ram D & Lertwachara, Kaveepan & Marsden, James R, 2006. "Impact of Legal Threats on Online Music Sharing Activity: An Analysis of Music Industry Legal Actions," Journal of Law and Economics, University of Chicago Press, vol. 49(1), pages 91-114, April.
  8. Joshua S. Gans & David H. Hsu & Scott Stern, 2007. "The Impact of Uncertain Intellectual Property Rights on the Market For Ideas: Evidence From Patent Grant Delays," NBER Working Papers 13234, National Bureau of Economic Research, Inc.
  9. Ken Hendricks & Alan Sorensen, 2009. "Information and the Skewness of Music Sales," Journal of Political Economy, University of Chicago Press, vol. 117(2), pages 324-369, 04.
  10. Alan B. Krueger, 2005. "The Economics of Real Superstars: The Market for Rock Concerts in the Material World," Journal of Labor Economics, University of Chicago Press, vol. 23(1), pages 1-30, January.
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  13. E. Paul Durrenberger, 2005. "Labour," Chapters, in: A Handbook of Economic Anthropology, chapter 8 Edward Elgar.
  14. Michel Norbert J, 2006. "The Impact of Digital File Sharing on the Music Industry: An Empirical Analysis," The B.E. Journal of Economic Analysis & Policy, De Gruyter, vol. 6(1), pages 1-24, September.
  15. Kihlstrom, Richard E & Laffont, Jean-Jacques, 1979. "A General Equilibrium Entrepreneurial Theory of Firm Formation Based on Risk Aversion," Journal of Political Economy, University of Chicago Press, vol. 87(4), pages 719-48, August.
  16. Schumpeter, Joseph A., 1947. "The Creative Response in Economic History," The Journal of Economic History, Cambridge University Press, vol. 7(02), pages 149-159, November.
  17. Milo Bianchi & Magnus Henrekson, 2005. "Is Neoclassical Economics still Entrepreneurless?," Kyklos, Wiley Blackwell, vol. 58(3), pages 353-377, 07.
  18. repec:cup:cbooks:9780521828130 is not listed on IDEAS
  19. Andrea Ordanini, 2006. "Selection models in the music industry: How a prior independent experience may affect chart success," Journal of Cultural Economics, Springer, vol. 30(3), pages 183-200, December.
  20. Felix Oberholzer-Gee & Koleman Strumpf, 2007. "The Effect of File Sharing on Record Sales: An Empirical Analysis," Journal of Political Economy, University of Chicago Press, vol. 115, pages 1-42.
  21. Rafael Rob & Joel Waldfogel, 2006. "Piracy on the Silver Screen," NBER Working Papers 12010, National Bureau of Economic Research, Inc.
  22. Evans, William N & Schwab, Robert M, 1995. "Finishing High School and Starting College: Do Catholic Schools Make a Difference?," The Quarterly Journal of Economics, MIT Press, vol. 110(4), pages 941-74, November.
  23. Duchene, Anne & Waelbroeck, Patrick, 2006. "The legal and technological battle in the music industry: Information-push versus information-pull technologies," International Review of Law and Economics, Elsevier, vol. 26(4), pages 565-580, December.
  24. Ram D. Gopal & G. Lawrence Sanders, 2006. "Do Artists Benefit from Online Music Sharing?," The Journal of Business, University of Chicago Press, vol. 79(3), pages 1503-1534, May.
  25. Peitz, Martin & Waelbroeck, Patrick, 2006. "Why the music industry may gain from free downloading -- The role of sampling," International Journal of Industrial Organization, Elsevier, vol. 24(5), pages 907-913, September.
  26. Kathleen Reavis Conner & Richard P. Rumelt, 1991. "Software Piracy: An Analysis of Protection Strategies," Management Science, INFORMS, vol. 37(2), pages 125-139, February.
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