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Springer

Journal of Cultural Economics

Contact information of Springer:
Web page: http://www.springerlink.com/link.asp?id=100284

Editor:
Editor:
For technical questions regarding this series, please contact (Christopher F. Baum)
Series handle: repec:kap:jculte

More pages of listings: 0|1

2002, Volume 26, Issue 2

2002, Volume 26, Issue 1

1-28 Determinants of Prices for Contemporary Art in Dutch Galleries, 1992–1998
by Merijn Rengers & Olav Velthuis [Downloadable! (restricted)]
29-52 The Determinants of Artistic Innovation: Bringing in the Role of Organizations
by Xavier Castañer & Lorenzo Campos [Downloadable! (restricted)]
53-64 The Distribution and Predictability of Cinema Admissions
by Chris Hand [Downloadable! (restricted)]
65-78 The Sculpture Market: An Adjacent Year Regression Index
by Marilena Locatelli-Biey & Roberto Zanola [Downloadable! (restricted)]
79-81 Bruno S. Frey, Arts & Economics: Analysis & Cultural Policy
by Stefan Toepler [Downloadable! (restricted)]
82-84 Richard E. Caves, Creative Industries: Contracts between Art and Commerce
by Michael Rushton [Downloadable! (restricted)]

2001, Volume 25, Issue 4

243-257 The Law and Economics of Artists' Inalienable Rights
by Michael Rushton [Downloadable! (restricted)]
259-281 Royalties for Artists versus Royalties for Authors and Composers
by Henry Hansmann & Marina Santilli [Downloadable! (restricted)]
283-306 What Has the Visual Artist's Rights Act of 1990 Accomplished?
by William Landes [Downloadable! (restricted)]
307-319 The Evolution of Free-Lance Music Composition, 1650–1900
by F. Scherer [Downloadable! (restricted)]

2001, Volume 25, Issue 3

157-184 Stardom and the Profitability of Film Making: Warner Bros. in the 1930s
by Michael Pokorny & John Sedgwick [Downloadable! (restricted)]
185-201 The Supply of Arts Labour : Towards a Dynamic Approach
by Maurizio Caserta & Tiziana Cuccia [Downloadable! (restricted)]
203-217 A Model of Translations
by Chr. Hjorth-Andersen [Downloadable! (restricted)]
219-231 In Search of Stylized Facts on Art Market Prices: Evidence from the Secondary Market for Prints and Drawings in Italy
by Guido Candela & Antonello Scorcu [Downloadable! (restricted)]
233-235 Peter Boorsma, Annemoon van Hemel, and Niki van der Wielen (eds.): Privatisation and Culture: Experiences in the Arts, Heritage and Cultural Industries in Europe
by Ilde Rizzo [Downloadable! (restricted)]
235-238 Dennis R. Judd and Susan S. Fainstein (eds.): The Tourist City
by Pascal Tremblay [Downloadable! (restricted)]

2001, Volume 25, Issue 2

77-89 The Double Public Good: A Conceptual Framework for ``Shared Experience'' Values Associated with Heritage Conservation
by Karin Sable & Robert Kling [Downloadable! (restricted)]
91-108 Explaining Post-War Cinema Attendance in Great Britain
by Peter Macmillan & Ian Smith [Downloadable! (restricted)]
109-129 Efficiency and Inefficiency in the Ranking in Competitions: the Case of the Queen Elisabeth Music Contest
by Herbert Glejser & Bruno Heyndels [Downloadable! (restricted)]
131-148 Valuing the Benefits of Cleaning Lincoln Cathedral
by Marilena Pollicino & David Maddison [Downloadable! (restricted)]
149-150 A Correction to Hilda and William Baumol's paper The Future of the Theatre and the Cost Disease of the Arts
by James Heilbrun [Downloadable! (restricted)]
151-154 Tyler Cowen, What Price Fame?
by Sherwin Rosen [Downloadable! (restricted)]
154-155 Neil de Marchi and Crauford D.W. Goodwin (eds.), Economic Engagements with Art
by Mark Blaug [Downloadable! (restricted)]

2001, Volume 25, Issue 1

1-20 Private or Public?
by Merijn Rengers & Erik Plug [Downloadable! (restricted)]
21-45 Patronage and Market in the Creation of Opera Before the Institution of Intellectual Property
by Timothy King [Downloadable! (restricted)]
47-62 The Court's System of Incentives and the Socio-Economic Status of Court Musicians in the Late 16th Century
by Peter Tschmuck [Downloadable! (restricted)]
63-72 Empirical Evidence of a Decline in Repertory Diversity among American Opera Companies 1991/92 to 1997/98
by James Heilbrun [Downloadable! (restricted)]
73-75 Frances Stonor Saunders (ed.): The Cultural Cold War: The CIA and the World of Arts and Letters
by William Baumol & Hilda Baumol [Downloadable! (restricted)]

2000, Volume 24, Issue 4

267-282 Public Funding of Controversial Art
by Michael Rushton [Downloadable! (restricted)]
283-300 The ``Death-Effect'' in Art Prices: A Demand-Side Exploration
by R. Ekelund & Rand Ressler & John Watson [Downloadable! (restricted)]
301-319 The Opposition between Two Models of Labour Market Adjustment: The Case of Audiovisual and Performing Arts Activities in France and Great Britain over a Ten Year Period
by Françoise Benhamou [Downloadable! (restricted)]
321-336 Market Concentration Levels in the U.S. Consumer Book Industry: 1995–1996
by Albert Greco [Downloadable! (restricted)]
337-340 Colin George Hoskins, Stuart McFadyen, and Adam Finn: 1998, Global Television and Film: An Introduction to the Economics of the Business
by Keith Acheson [Downloadable! (restricted)]
340-342 Keith Acheson and Christopher Maule: 1999, Much Ado About Culture: North American Trade Disputes
by Steven Globerman [Downloadable! (restricted)]
342-343 James T. Hamilton: 1998, Channeling Violence: The Economic Market for Violent Television Programming
by Stuart McFadyen [Downloadable! (restricted)]

2000, Volume 24, Issue 3

181-204 Contingent Valuation of a Cultural Public Good and Policy Design: The Case of ``Napoli Musei Aperti''
by Walter Santagata & Giovanni Signorello [Downloadable! (restricted)]
205-224 Why Do Companies Sponsor Arts Events? Some Evidence and a Proposed Classification
by John O'Hagan & Denice Harvey [Downloadable! (restricted)]
225-241 Corporate Support for Artistic and Cultural Activities: What Determines the Distribution of Corporate Giving?
by Mark LeClair & Kelly Gordon [Downloadable! (restricted)]
243-255 Win, Place or Show: Gauging the Economic Success of the Renoir and Barnes Art Exhibits
by Dick Stanley & Judy Rogers & Sandra Smeltzer & Luc Perron [Downloadable! (restricted)]
257-260 Sir Alan Peacock (ed.), Does The Past Have a Future? The Political Economy of Heritage; Michael Hutter and Ilde Rizzo (eds.), Economic Perspectives on Cultural Heritage
by Rosemary Clarke [Downloadable! (restricted)]
260-262 J. Mark Schuster with John de Monchaux and Charles A. Riley II (eds.), Preserving the Built Heritage: Tools for Implementation
by Peter Johnson [Downloadable! (restricted)]
262-265 Steven J. Ross, Working-Class Hollywood: Silent Film and the Shaping of Class in America
by Sheila Petty [Downloadable! (restricted)]

2000, Volume 24, Issue 2

87-112 The Careers of Modern Artists
by David Galenson [Downloadable! (restricted)]
113-134 The Dynamics of Chart Success in the U.K. Pre-Recorded Popular Music Industry
by Eric Strobl & Clive Tucker [Downloadable! (restricted)]
135-146 Rational Philanthropy and Cultural Capital
by Carlos Ulibarri [Downloadable! (restricted)]
147-164 Are Popular and Classical Music Listeners the Same People?
by Juan Prieto-Rodríguez & Víctor Fernández-Blanco [Downloadable! (restricted)]
165-167 John W. O'Hagan, The State and the Arts: An Analysis of Key Economic Policy Issues in Europe and the United States
by Michael Rushton [Downloadable! (restricted)]
167-170 Andrew L. Pincus, Tanglewood: The Clash Between Tradition and Change
by Arthur Brooks [Downloadable! (restricted)]

2000, Volume 24, Issue 1

1-26 The Economics of Monomedia and Cross-Media Expansion: A Study of the Case Favouring Deregulation of TV and Newspaper Ownership in the U.K
by Gillian Doyle [Downloadable! (restricted)]
27-43 A Model of the Danish Book Market
by Chr. Hjorth-Andersen [Downloadable! (restricted)]
45-63 Programmatic Risk-Taking by American Opera Companies
by J. Pierce [Downloadable! (restricted)]
65-77 The One-Man Band by the Quick Lunch Stand: Modeling Audience Response to Street Performance
by Roland Kushner & Arthur Brooks [Downloadable! (restricted)]
79-82 John Pick and Malcolm Anderton, Building Jerusalem. Art, Industry and the British Millennium
by Sara Selwood [Downloadable! (restricted)]
82-84 Peter Goodwin, Television under the Tories. Broadcasting Policy 1979–1997
by Sir Peacock [Downloadable! (restricted)]

1999, Volume 23, Issue 4

237-256 The Determinants of Motion Picture Box Office Performance: Evidence from Movies Produced in Italy
by M. Bagella & L. Becchetti [Downloadable! (restricted)]
257-267 Segmentation of Cinema Audiences: An Exploratory Study Applied to Young Consumers
by Manuel Cuadrado & Marta Frasquet [Downloadable! (restricted)]
269-283 On the Perceived Quality of Movies
by Victor Ginsburgh & Sheila Weyers [Downloadable! (restricted)]
285-318 Uncertainty in the Movie Industry: Does Star Power Reduce the Terror of the Box Office?
by Arthur De Vany & W. Walls [Downloadable! (restricted)]
319-323 Movie Stars and the Distribution of Financially Successful Films in the Motion Picture Industry
by John Sedgwick & Michael Pokorny [Downloadable! (restricted)]
325-329 Movie Stars and the Distribution of Financially Successful Films in the Motion Picture Industry
by Steven Albert [Downloadable! (restricted)]
331-332 Tyler Cowen, In Praise of Commercial Culture
by Dick Netzer [Downloadable! (restricted)]
333-334 Paul Kearns, The Legal Concept of Art
by Michael Rushton [Downloadable! (restricted)]

1999, Volume 23, Issue 3

137-146 Methodological Individualism and Cultural Economics
by Michael Rushton [Downloadable! (restricted)]
147-164 Willingness to Pay for Domestic Television Programming
by Franco Papandrea [Downloadable! (restricted)]
165-179 Network Externalities and Government Restrictions on Satellite Broadcasting of Key Sporting Events
by Anthony Boardman & Shaun Hargreaves-Heap [Downloadable! (restricted)]
181-190 The Returns to Picasso's Prints and to Traditional Financial Assets, 1977 to 1996
by James Pesando & Pauline Shum [Downloadable! (restricted)]
191-208 Long- and Short-Term Portfolio Choices of Paintings
by Renato Flôres & Victor Ginsburgh & Philippe Jeanfils [Downloadable! (restricted)]
209-219 Investment in Paintings: A Short-Run Price Index
by Marilena Locatelli Biey & Roberto Zanola [Downloadable! (restricted)]
221-232 The Adoption of the Compact Disk Player: An Event History Analysis for the Netherlands
by Harrie Hansman & Clara Mulder & René Verhoeff [Downloadable! (restricted)]

1999, Volume 23, Issue 1

1-2 Introduction
by J. Schuster [Downloadable! (restricted)]
3-12 Cultural Capital
by David Throsby [Downloadable! (restricted)]
13-30 Culture and Commerce
by Martin Shubik [Downloadable! (restricted)]
31-32 A Tribute to Dick Netzer and The Subsidized Muse
by Mark Blaug [Downloadable! (restricted)]
33-49 The Subsidized Muse: Government and the Arts in Western Europe and the United States
by Annette Zimmer & Stefan Toepler [Downloadable! (restricted)]
51-70 The Other Side of the Subsidized Muse: Indirect Aid Revisited
by J. Schuster [Downloadable! (restricted)]
71-85 State Support and Creativity in the Arts: Some New Considerations
by Bruno Frey [Downloadable! (restricted)]
87-93 Should Cultural Goods Be Treated Differently?
by Andreu Mas-Colell [Downloadable! (restricted)]
95-107 Implications of the Agreement on Trade Related Aspects of Intellectual Property Rights for Cultural Dimensions of National Copyright Laws
by Pamela Samuelson [Downloadable! (restricted)]
109-136 International Trade in Art
by Günther Schulze [Downloadable! (restricted)]

1998, Volume 22, Issue 4

209-226 An Economic Analysis of the Droit de Suite
by John Solow [Downloadable! (restricted)]
227-247 Public Orchestra Funding in Germany – An Empirical Investigation
by Günther Schulze & Anselm Rose [Downloadable! (restricted)]
249-270 Movie Stars and the Distribution of Financially Successful Films in the Motion Picture Industry
by Steven Albert [Downloadable! (restricted)]
271-283 Marketing and the Fine Arts – Inventory of a Controversial Relationship
by Jörn-Axel Meyer & Ralf Even [Downloadable! (restricted)]
285-287 V. A. Ginsburgh and P.-M. Menger (eds.), Economics of the Arts: Selected Essays
by Alex Tabarrok [Downloadable! (restricted)]
287-289 Michael H. Kater, The Twisted Muse: Musicians and Their Music in the Third Reich
by Bryan Caplan [Downloadable! (restricted)]
289-292 Grantland Rice, The Transformation of Authorship in America
by Andrew Levy [Downloadable! (restricted)]
292-293 Ruth Towse (ed.), Baumol's Cost Disease: The Arts and Other Victims
by Alan Peacock [Downloadable! (restricted)]

1998, Volume 22, Issue 2

73-73 Acknowledgements
by Peter Johnson & Barry Thomas [Downloadable! (restricted)]
75-85 The Economics of Museums: A Research Perspective
by Peter Johnson & Barry Thomas [Downloadable! (restricted)]
87-98 Hope for the Future? Early Exposure to the Arts and Adult Visits to Art Museums
by Charles Gray [Downloadable! (restricted)]
99-112 Communication Productivity: A Major Cause for the Changing Output of Art Museums
by Michael Hutter [Downloadable! (restricted)]
113-125 Superstar Museums: An Economic Analysis
by Bruno Frey [Downloadable! (restricted)]
127-150 Neither Public Nor Private: The Hybridization of Museums
by J. Schuster [Downloadable! (restricted)]
151-165 Museums in the U.K.: Some Evidence on Scale and Activities
by Stephen Creigh-Tyte & Sara Selwood [Downloadable! (restricted)]
167-177 Charging for Admission to Museums and Galleries: A Framework for Analysing the Impact on Access
by Stephen Bailey & Peter Falconer [Downloadable! (restricted)]
179-187 Is Charging Economic?
by R.G.W. Anderson [Downloadable! (restricted)]
189-196 Some Simple Analytics of Access and Revenue Targets
by Adrian Darnell [Downloadable! (restricted)]
197-207 Art Museums: Collections, Deaccessioning and Donations
by John O'hagan [Downloadable! (restricted)]

1998, Volume 22, Issue 1

1-13 Entrance Fees as a Subjective Barrier to Visiting Museums
by Volker Kirchberg [Downloadable! (restricted)]
15-32 The Moral Rights of Artists: Droit Moral ou Droit Pécuniaire?
by Michael Rushton [Downloadable! (restricted)]
33-42 Estimates, Bias and “No Sales” in Latin-American Art Auctions, 1977–1996
by Robert Ekelund & Rand Ressler & John Watson [Downloadable! (restricted)]
43-47 Roger Fry: Art and Commerce
by Craufurd Goodwin [Downloadable! (restricted)]
49-59 Art and Commerce
by Roger Fry [Downloadable! (restricted)]
61-62 Marian Fitzgibbon, Anne Kelly (eds.), From Maestro to Manager: Critical Issues in Arts & Culture Management
by Alice Goldfarb Marquis [Downloadable! (restricted)]
63-65 Arjo Klamer (ed.), The Value of Culture: On the Relationship between Economics and Arts
by David Levy [Downloadable! (restricted)]
65-67 Mark S. Rosentraub, Major League Losers: The Real Cost of Sports and Who's Paying for It
by Daniel Sutter [Downloadable! (restricted)]
67-69 Ruth Towse, Cultural Economics: The Arts, the Heritage and the Media Industries
by Tyler Cowen [Downloadable! (restricted)]
70-71 Joyce Piell Wexler, Who Paid for Modernism?: Art, Money, and the Fiction of Conrad, Joyce, and Lawrence
by Marvin Becker [Downloadable! (restricted)]

1997, Volume 21, Issue 4

275-289 Collecting as a Paradigm of Consumption
by Marina Bianchi [Downloadable! (restricted)]
291-305 Cultural Convergence in Historical Cultural Space-Time
by Gordon Burt [Downloadable! (restricted)]
307-333 Optimal Pricing of Museum Admission
by Faye Steiner [Downloadable! (restricted)]
335-353 Generalised Cost Functions for Producers of Performing Arts – Allocative Inefficiencies and Scale Economies in Theatres
by Mervi Taalas [Downloadable! (restricted)]
355-360 Bernard Casey, Rachael Dunlop and Sara Selwood. Culture as Commodity? The Economics of the Arts and Built Heritage in the U.K
by Ruth Towse [Downloadable! (restricted)]

1997, Volume 21, Issue 3

165-173 Art Markets and Economics: Introduction
by Bruno Frey [Downloadable! (restricted)]
175-196 A Price Index for Art Market Auctions
by G. Candela & A. Scorcu [Downloadable! (restricted)]
197-218 Are Multiple Art Markets Rational?
by Leslie Singer & Gary Lynch [Downloadable! (restricted)]
219-228 Land Artists and Art Markets
by V. Ginsburgh & A.-F. Penders [Downloadable! (restricted)]
229-247 Picasso Paintings at Auction, 1963–1994
by Corinna Czujack [Downloadable! (restricted)]
249-271 The Impact of Museum Purchase on the Auction Prices of Paintings
by Werner Pommerehne & Lars Feld [Downloadable! (restricted)]

1997, Volume 21, Issue 2

103-118 Credibility and Economic Value in the Visual Arts
by Holger Bonus & Dieter Ronte [Downloadable! (restricted)]
119-127 Demand for Ballet: A Non-Parametric Analysis of the 1995 Royal Ballet Summer Season
by Jörg Schimmelpfennig [Downloadable! (restricted)]
129-138 Evidence on the Performance of Canada/Europe Co-productions in Television and Film
by Colin Hoskins & Stuart McFadyen & Adam Finn & Anne Jackel [Downloadable! (restricted)]
139-146 Pricing as the Key to Attracting Students to the Performing Arts
by Bonita Kolb [Downloadable! (restricted)]
147-151 The Monopolies and Mergers Commission's Investigation of the U.K. Music Market
by R. Towse [Downloadable! (restricted)]
153-156 Rosanne Martorella (ed.), Art and Business: An International Perspective on Sponsorship
by J. Schuster [Downloadable! (restricted)]
156-158 Stuart Plattner, High Art Down Home: An Economic Ethnography of a Local Art Market
by Martin Shubik [Downloadable! (restricted)]
158-159 Simon Frith, Performing Rites: On the Value of Popular Music
by Michael Rushton [Downloadable! (restricted)]
159-161 Carla Bodo and Rod Fisher (in co-operation with Sabina Addamiano), Harmony or Confusion for Culture in Europe? The Impact of the Single Market and of the Maastricht Treaty
by Michele Trimarchi [Downloadable! (restricted)]
161-163 Bernard Rouget and Dominique Sagot-Duvaroux, Economie des Arts Plastiques - Une Analise de la Méditation Culturelle
by Walter Santagata [Downloadable! (restricted)]

1997, Volume 21, Issue 1

1-28 The Willingness-to-Pay for the Royal Theatre in Copenhagen as a Public Good
by Trine Hansen [Downloadable! (restricted)]
29-40 The Competition between High Culture and Popular Culture as Seen in the New York Times
by James Heilbrun [Downloadable! (restricted)]
41-55 Beyond Rock and Roll: The Economic Impact of the Grateful Dead on a Local Economy
by Ricardo Gazel & R. Schwer [Downloadable! (restricted)]
57-75 Cinema Demand in Spain: A Cointegration Analysis
by VÍctor Blanco & JosÉ BaÑos Pino [Downloadable! (restricted)]
77-86 Cost Structure and Product Mix of Local Public Theatres
by Roberto Fazioli & Massimo Filippini [Downloadable! (restricted)]

1996, Volume 20, Issue 4

263-268 The impact of cultural economics on economic theory
by Michael Hutter [Downloadable! (restricted)]
269-282 Access to and participation in the arts: The case of those with low incomes/educational attainment
by John O’Hagan [Downloadable! (restricted)]
283-296 Growth, accessibility and the distribution of arts activity in the United States: 1980 to 1990
by James Heilbrun [Downloadable! (restricted)]
297-320 Cultural determinants of economic growth: Theory and evidence
by Oliver Dieckmann [Downloadable! (restricted)]
321-339 Cultural entrepreneurship and the Banff Television Festival
by Keith Acheson & Christopher Maule & Elizabet Filleul [Downloadable! (restricted)]
341-358 Does public support make a difference, and for whom?
by Merja Heikkinen & Paula Karhunen [Downloadable! (restricted)]
359-383 Financial returns, price determinants, and genre effects in American art investment
by Richard Agnello & Renée Pierce [Downloadable! (restricted)]

1996, Volume 20, Issue 3

181-181 Introduction to the plenary session on the 30th anniversary of The performing arts: An economic dilemma by Baumol and Bowen — Ninth International Conference on Cultural Economics Boston 8–11 May 1996
by Mark Blaug [Downloadable! (restricted)]
183-206 Children of performing arts, the economic dilemma: The climbing costs of health care and education
by William Baumol [Downloadable! (restricted)]
207-214 Why I do not believe in the cost-disease
by Tyler Cowen [Downloadable! (restricted)]
215-224 The “Manifest Destiny” of the Performing Arts
by Alan Peacock [Downloadable! (restricted)]
225-240 Economic circumstances of the performing artist: Baumol and Bowen thirty years on
by David Throsby [Downloadable! (restricted)]
241-244 The “manifest destiny” of the performing arts by A. Peacock
by Stefan Késenne [Downloadable! (restricted)]
245-247 Comments on David Throsby’s paper
by Ruth Towse [Downloadable! (restricted)]
249-250 Final comments on the plenary session on Baumol and Bowen
by Mark Blaug [Downloadable! (restricted)]

1996, Volume 20, Issue 2

93-113 Why women succeed, and fail, in the arts
by Tyler Cowen [Downloadable! (restricted)]
115-131 Is increased public spending for the preservation of historic monuments inevitable? The French case
by Francoise Benhamou [Downloadable! (restricted)]
133-144 Nonprofit pricing of services under cost uncertainty
by Amresh Hanchate [Downloadable! (restricted)]
145-164 The dynamics of product differentiation in the British record industry
by Andrew Burke [Downloadable! (restricted)]
165-175 The interaction between artists’ professional training and employment in the field of Finnish theatre
by Paula Karhunen [Downloadable! (restricted)]
177-179 Book review
by Keith Acheson [Downloadable! (restricted)]

1996, Volume 20, Issue 1

1-24 The relevance of hedonic price indices
by Olivier Chanel & Louis-André Gérard-Varet & Victor Ginsburgh [Downloadable! (restricted)]
25-50 A microeconometric study of theatre demand
by Louis Lévy-Garboua & Claude Montmarquette [Downloadable! (restricted)]
51-66 How effective are international copyright conventions in the music industry?
by Andrew Burke [Downloadable! (restricted)]
67-83 Sources of “value for money” for museum visitors: Some survey evidence
by John Ashworth & Peter Johnson [Downloadable! (restricted)]
85-86 Book review
by Frank Puffelen [Downloadable! (restricted)]

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