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The Performance of German Motion Pictures, Profits, and

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Author Info
Christian Jansen (Humboldt-University Berlin)

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Abstract

This paper discusses different mechanisms of subsidy allocation invoked by operation of law. We compare the allocation of subsidies via committees to the allocation of subsidies through the reference principle, which binds public support to performance at the box offce. The analysis is embedded in a broadly disposed regression analysis of the determinants of the performance of German movies in the theatrical market. It aims to identify market characteristics and contrasts the German case with studies that address foreign markets. Finally, the profitability of the industry is considered as the presumed economic non-viability of the industry constantly recurs in the public debate as an argument for subsidies.

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File URL: http://129.3.20.41/eps/io/papers/0302/0302002.pdf
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Publisher Info
Paper provided by EconWPA in its series Industrial Organization with number 0302002.

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Length: 36 pages
Date of creation: 18 Feb 2003
Date of revision:
Handle: RePEc:wpa:wuwpio:0302002

Note: Type of Document - pdf; prepared on PC; pages: 36
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Web page: http://129.3.20.41

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Related research
Keywords: German movies; subsidies; motion picture industry;

Find related papers by JEL classification:
L82 - Industrial Organization - - Industry Studies: Services - - - Entertainment; Media
Z10 - Other Special Topics - - Cultural Economics - - - General

This paper has been announced in the following NEP Reports:

References listed on IDEAS
Please report citation or reference errors to , or , if you are the registered author of the cited work, log in to your RePEc Author Service profile, click on "citations" and make appropriate adjustments.:
  1. Kornai, Janos, 1986. "The Soft Budget Constraint," Kyklos, Blackwell Publishing, vol. 39(1), pages 3-30.
  2. M. Bagella & L. Becchetti, 1999. "The Determinants of Motion Picture Box Office Performance: Evidence from Movies Produced in Italy," Journal of Cultural Economics, Springer, vol. 23(4), pages 237-256, November. [Downloadable!] (restricted)
  3. Adler, Moshe, 1985. "Stardom and Talent," American Economic Review, American Economic Association, vol. 75(1), pages 208-12, March. [Downloadable!] (restricted)
  4. De Vany, A. & Walls, W.D., 1999. ""Uncertainty in the Movies: Does Star Power Reduce the Terror of the Box Office?"," Papers 98-99-10, California Irvine - School of Social Sciences.
  5. Rosen, Sherwin, 1981. "The Economics of Superstars," American Economic Review, American Economic Association, vol. 71(5), pages 845-58, December. [Downloadable!] (restricted)
  6. Steven Albert, 1998. "Movie Stars and the Distribution of Financially Successful Films in the Motion Picture Industry," Journal of Cultural Economics, Springer, vol. 22(4), pages 249-270, December. [Downloadable!] (restricted)
  7. Smith, Sharon P & Smith, V Kerry, 1986. "Successful Movies: A Preliminary Empirical Analysis," Applied Economics, Taylor and Francis Journals, vol. 18(5), pages 501-07, May.
  8. Kornai, J, 1979. "Resource-Constrained versus Demand-Constrained Systems," Econometrica, Econometric Society, vol. 47(4), pages 801-19, July. [Downloadable!] (restricted)
  9. Dixit, Avinash K & Stiglitz, Joseph E, 1977. "Monopolistic Competition and Optimum Product Diversity," American Economic Review, American Economic Association, vol. 67(3), pages 297-308, June. [Downloadable!] (restricted)
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Cited by:
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  1. Alexis Dantec & Florence Levy, 2005. "Stars et box office : un état des approches théoriques et empiriques," Documents de Travail de l'OFCE 2005-13, Observatoire Francais des Conjonctures Economiques (OFCE). [Downloadable!]
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