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From "White Christmas" to Sgt. Pepper: The Conceptual Revolution in Popular Music

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David Galenson
Abstract

Irving Berlin, Cole Porter, and other songwriters of the Golden Era wrote popular songs that treated common topics clearly and simply. During the mid-1960s Bob Dylan, John Lennon, and Paul McCartney created a new kind of popular music that was personal and often obscure. This shift, which transformed popular music from an experimental into a conceptual art, produced a distinct change in the creative life cycles of songwriters. Golden Era songwriters were generally at their best during their 30s and 40s, whereas since the mid-'60s popular songwriters have consistently done their best work during their 20s. The revolution in popular music occurred at a time when young innovators were making similar transformations in other arts: Jean-Luc Godard and his fellow New Wave directors created a conceptual revolution in film in the early '60s, just as Andy Warhol and other Pop artists made painting a conceptual activity.

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Paper provided by National Bureau of Economic Research, Inc in its series NBER Working Papers with number 13308.

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Date of creation: Aug 2007
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Handle: RePEc:nbr:nberwo:13308

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J01 - Labor and Demographic Economics - - General - - - Labor Economics: General

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  1. David Galenson, 2006. "You Cannot be Serious: The Conceptual Innovator as Trickster," NBER Working Papers 12599, National Bureau of Economic Research, Inc. [Downloadable!] (restricted)
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This page was last updated on 2009-12-18.


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