Music Scenes to Music Clusters - the economic geography of music in the U.S., 1970-2000
AbstractWhere do musicians locate, and why do creative industries such as music continue to cluster? This paper analyzes the economic geography of musicians and the recording industry in the U.S. from 1970 to 2000 to shed light on the locational dynamics of music and creative industries more broadly. We examine the role of scale and scope economies in shaping the clustering and concentration of musicians and music industry firms. We argue that these two forces are bringing about a transformation in the geography of both musicians and music industry firms, evidenced in a shift away from regionally clustered, genrespecific music scenes, such as Memphis or Detroit, toward larger regional centers like New York City and Los Angeles which offer large markets for music employment and concentration of other artistic and cultural endeavors which increase demand for musicians. We use population and income to probe for scale effects, and concentrations of other creative and artistic industries to test for scope effects, while including a range of control variables in our analysis. We use lagged variables to determine if certain places are consistently more successful at fostering concentations of musicians and the music industry and test for path dependency. We find some role for scale and scope effects and that both musicians and the music industry are concentrating in a relatively small number of large regional centers.
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Bibliographic InfoPaper provided by Royal Institute of Technology, CESIS - Centre of Excellence for Science and Innovation Studies in its series Working Paper Series in Economics and Institutions of Innovation with number 219.
Length: 49 pages
Date of creation: 11 Feb 2010
Date of revision:
Contact details of provider:
Postal: CESIS - Centre of Excellence for Science and Innovation Studies, Royal Institute of Technology, SE-100 44 Stockholm, Sweden
Phone: +46 8 790 95 63
Web page: http://www.infra.kth.se/cesis/
More information through EDIRC
musicians; recording industry; agglomerations;
Other versions of this item:
- Richard Florida & Charlotta Mellander & Kevin Stolarick, 2010. "Music scenes to music clusters: the economic geography of music in the US, 1970 – 2000," Environment and Planning A, Pion Ltd, London, vol. 42(4), pages 785-804, April.
- R11 - Urban, Rural, Regional, Real Estate, and Transportation Economics - - General Regional Economics - - - Regional Economic Activity: Growth, Development, Environmental Issues, and Changes
- R12 - Urban, Rural, Regional, Real Estate, and Transportation Economics - - General Regional Economics - - - Size and Spatial Distributions of Regional Economic Activity; Interregional Trade (economic geography)
- Z11 - Other Special Topics - - Cultural Economics - - - Economics of the Arts and Literature
This paper has been announced in the following NEP Reports:
- NEP-ALL-2010-04-17 (All new papers)
- NEP-CUL-2010-04-17 (Cultural Economics)
- NEP-GEO-2010-04-17 (Economic Geography)
- NEP-URE-2010-04-17 (Urban & Real Estate Economics)
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