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"Uncertainty in the Movies: Does Star Power Reduce the Terror of the Box Office?"

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Author Info
De Vany, A.
Walls, W.D.

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Abstract

Everyone knows that the movie business is risky. But how risky is it? Do strategies exist that reduce risk? We investigate these questions using a sample of over 200 motion pictures. We discover that the movies are very risky indeed. Box-office revenues are asymptotically Pareto-distributed and have infinite variance. The mean is dominated by rare blockbuster movies that are located in the far right tail. There is no typical movie because box-office revenue outcomes do not converge to an average, they diverge over all scales.

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Publisher Info
Paper provided by California Irvine - School of Social Sciences in its series Papers with number 98-99-10.

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Length: 59 pages
Date of creation: 1999
Date of revision:
Handle: RePEc:fth:calirv:98-99-10

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Postal: UNIVERSITY OF CALIFORNIA IRVINE, SCHOOL OF SOCIAL SCIENCES, IRVINECALIFORNIA 91717 U.S.A.

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Related research
Keywords: CINEMA ; UNCERTAINTY ; CULTURE;

Find related papers by JEL classification:
D8 - Microeconomics - - Information, Knowledge, and Uncertainty
L8 - Industrial Organization - - Industry Studies: Services
Z1 - Other Special Topics - - Cultural Economics

Cited by:
(explanations, Please report citation or reference errors to , or , if you are the registered author of the cited work, log in to your RePEc Author Service profile, click on "citations" and make appropriate adjustments.)

  1. Caroline Elliott & Rob Simmons, 2008. "Determinants of UK Box Office Success: The Impact of Quality Signals," Review of Industrial Organization, Springer, vol. 33(2), pages 93-111, September. [Downloadable!] (restricted)
    Other versions:
  2. Darren Filson, 2003. "Dynamic Common Agency, Vertical Integration, and Investment: The Economics of Movie Distribution," Claremont Colleges Working Papers 2003-07, Claremont Colleges. [Downloadable!]
  3. Steven Albert, 1999. "Movie Stars and the Distribution of Financially Successful Films in the Motion Picture Industry," Journal of Cultural Economics, Springer, vol. 23(4), pages 325-329, November. [Downloadable!] (restricted)
  4. Christian Jansen, 2003. "The Performance of German Motion Pictures, Profits, and," Industrial Organization 0302002, EconWPA. [Downloadable!]
  5. Ricard Gil & Pablo T. Spiller, 2007. "The Organizational Implications of Creativity: The US Film Industry in Mid-XXth Century," NBER Working Papers 13253, National Bureau of Economic Research, Inc. [Downloadable!] (restricted)
  6. Darren Filson & Fernando Fabre & Alfredo Nava & Paola Rodriguez, . "At the Movies: Avoiding Head-to-Head Competition on the Big Screen: The Economics of Movie Distribution," Claremont Colleges Working Papers 2000-32, Claremont Colleges. [Downloadable!]
  7. Christian Jansen, 2003. "Economic Effects of the New German Copyright Contract Law," Law and Economics 0302003, EconWPA. [Downloadable!]
  8. Christian Jansen, 2005. "The Performance of German Motion Pictures, Profits and Subsidies: Some Empirical Evidence," Journal of Cultural Economics, Springer, vol. 29(3), pages 191-212, August. [Downloadable!] (restricted)
  9. Christian Jansen, 2003. "Convergence and the Potential Ban on Interactive Product Placement in Germany," Law and Economics 0302002, EconWPA. [Downloadable!]
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