The US recorded music industry: on the relations between organization, location, and creativity in the cultural economy
Abstract
A description of the US recorded music industry is offered stressing (a) the two-tier structure of the industry divided as it is into majors and independents, and (b) the complex social division of labor that characterizes the overall production system. The locational characteristics of the recorded music industry are discussed, and it is shown that, although there is a wide scattering of companies across the entire United States, the main centers of production are in Los Angeles, New York, and Nashville. It is then demonstrated that Los Angeles and New York have a capacity to produce hit records that far exceeds their relative significance in terms of number of recording companies, even after abstracting away the effects of the majors. This capacity is conceptualized in terms of the creative field that is brought into existence by the dense agglomeration of many different specialized firms and workers interacting together in one place in the tasks of economic and cultural production.Download Info
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Bibliographic Info
Article provided by Pion Ltd, London in its journal Environment and Planning A.
Volume (Year): 31 (1999)
Issue (Month): 11 (November)
Pages: 1965-1984
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Handle: RePEc:pio:envira:v:31:y:1999:i:11:p:1965-1984
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Web page: http://www.pion.co.uk
For corrections or technical questions regarding this item, or to correct its listing, contact: (Neil Hammond).
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Citations are extracted by the CitEc Project, subscribe to its RSS feed for this item.Cited by:
- Julia Hiscock & David E. Hojman, 2004. "Where Have All the Flowers Gone? Coase Theorem Failures in English Summer Cultural Events: The Case of Sidmouth International Festival," Research Papers 200406, University of Liverpool Management School.
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