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La publication de « monuments » du Moyen Âge au milieu du XVIIe siècle : Giovanni Pietro Puricelli, entre édition et censure

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  • Lezowski, Marie
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    Abstract

    Depuis plusieurs années, la vision idéale de l’érudition est battue en brèche par l’historiographie des usages sociaux du savoir. Reste que les érudits du XVII e siècle sont volontiers exaltés comme des précurseurs des géants du XVIII e siècle. Dans le cas de G.P. Puricelli, des démêlés avec l’Index viennent ajouter à l’érudit milanais une aura de non-conformisme. Pourtant, comme l’article le montre, la censure de son œuvre maîtresse met en cause des activités ordinaires de collecteur de manuscrits anciens et de censeur, qui sont liées à sa pratique de l’histoire documentaire. Son œuvre est aussi accusée, à la manière d’un mémoire, de favoriser la reprise d’une controverse pluriséculaire à Saint-Ambroise. Puricelli veut préserver sa réputation, qui est moins celle d’un auteur que d’un paléographe, pour continuer à pourvoir l’élite milanaise de preuves documentaires. Agissant constamment en censeur malgré sa qualité d’accusé, il attache la poursuite de ses travaux au renforcement de l’institution censoriale.

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    Bibliographic Info

    Article provided by Editions NecPlus in its journal Histoire, économie & société.

    Volume (Year): 2012 (2012)
    Issue (Month): 03 (September)
    Pages: 3-18

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    Handle: RePEc:nec:hecoso:v:2012:y:2012:i:03:p:3-18_00

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