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La estructura de mercado del sector de las artes escénicas en España/

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  • BONET, LLUÍS

    ()
    (Departamento de Economía Política y Hacienda Pública. Facultad de Economía y Empresa. UNIVERSIDAD DE BARCELONA.)

  • VILLARROYA, ANNA

    ()
    (Departamento de Economía Política y Hacienda Pública. Facultad de Economía y Empresa. UNIVERSIDAD DE BARCELONA.)

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    Abstract

    La diversidad de agentes y de comportamientos, así como la complejidad que encierra la existencia e interrelación de dos mercados, el de la producción y el de la difusión, han dificultado el estudio del sistema escénico español desde perspectivas científicas. Con el objetivo de cubrir parcialmente ese vacío y presentar las especificidades de dicho sistema, el presente trabajo utiliza el marco analítico de la teoría de la organización industrial basado en la secuencia real estructura-estrategias-resultados, corregida y adaptada a las especificidades de un sector como el cultural, altamente intervenido por las Administraciones públicas. Este esquema analítico ha permitido no sólo una aproximación más completa al análisis del mercado escénico español, sino que ha proporcionado un nuevo marco teórico aplicable a otros sectores con un alto nivel de intervención gubernamental. The diversity of actors and behaviours, and the complexity of the two interrelated markets –the production and the diffusion markets- have discouraged the scientific analysis of the Spanish performing arts system. With the goal of reaching this gap, this paper uses the analytical framework of the Industrial Organization Theory. It changes and adapts the classical sequential schema structure-strategy-results to the particular cultural sector case, highly governmental intervened. This option not only allows a more analytical and complete approach of the Spanish performing arts markets, but it provides a new theoretical framework which can be applied to other sectors with a high level of governmental intervention.

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    Bibliographic Info

    Article provided by Estudios de Economía Aplicada in its journal Estudios de Economía Aplicada.

    Volume (Year): 27 (2009)
    Issue (Month): (Abril)
    Pages: 199-224

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    Handle: RePEc:lrk:eeaart:27_1_5

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    1. John W. O'Hagan, 1996. "Access to and Participation in the Arts: The Case of Those with Low Income/Educational Attainment," Economics Policy Papers 961, Trinity College Dublin, Department of Economics.
    2. BOUCEKKINE, Raouf & PEETERS, Dominique & de la CROIX, David, . "Early literacy achievements, population density and the transition to modern growth," CORE Discussion Papers RP -1911, Université catholique de Louvain, Center for Operations Research and Econometrics (CORE).
    3. Gary S. Becker & Kevin M. Murphy, 1986. "A Theory of Rational Addiction," University of Chicago - George G. Stigler Center for Study of Economy and State 41, Chicago - Center for Study of Economy and State.
    4. Joel Sobel, 2002. "Can We Trust Social Capital?," Journal of Economic Literature, American Economic Association, vol. 40(1), pages 139-154, March.
    5. Juan Prieto-Rodríguez & Víctor Fernández-Blanco, 2000. "Are Popular and Classical Music Listeners the Same People?," Journal of Cultural Economics, Springer, vol. 24(2), pages 147-164, May.
    6. David Throsby, 1999. "Cultural Capital," Journal of Cultural Economics, Springer, vol. 23(1), pages 3-12, March.
    7. Stigler, George J & Becker, Gary S, 1977. "De Gustibus Non Est Disputandum," American Economic Review, American Economic Association, vol. 67(2), pages 76-90, March.
    8. Charles Gray, 1998. "Hope for the Future? Early Exposure to the Arts and Adult Visits to Art Museums," Journal of Cultural Economics, Springer, vol. 22(2), pages 87-98, June.
    9. Gibson, John, 2001. "Literacy and Intrahousehold Externalities," World Development, Elsevier, vol. 29(1), pages 155-166, January.
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