This paper focuses on the relations of land artists to the art market.As landworks are by their very nature site specific, what is sold is mostoften the documentation of the project. This paper examines whether there isa market for Land Art and if so, whether it shares the same characteristicsas markets for Minimal and Conceptual Art, which started at about the sametime. Data collected on auctions over the period 1972–1992, show thatthis market is very thin. This was probably realized by Land artists wholater seem to have turned to more marketable creations. Copyright Kluwer Academic Publishers 1997
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Volume (Year): 21 (1997) Issue (Month): 3 (September) Pages: 219-228 Download reference. The following formats are available: HTML
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