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Economic Theory and the Positive Economics of Arts Financing

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  • Seaman, Bruce A

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  • Seaman, Bruce A, 1981. "Economic Theory and the Positive Economics of Arts Financing," American Economic Review, American Economic Association, vol. 71(2), pages 335-340, May.
    • Handle: RePEc:aea:aecrev:v:71:y:1981:i:2:p:335-40
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    Cited by:

    1. C. D. Throsby, 1982. "Economics and the Arts: A Review of Seven Years," The Economic Record, The Economic Society of Australia, vol. 58(3), pages 242-252, September.
    2. Michael Getzner, 2002. "Determinants of Public Cultural Expenditures: An Exploratory Time Series Analysis for Austria," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 26(4), pages 287-306, November.
    3. Günther Schulze & Anselm Rose, 1998. "Public Orchestra Funding in Germany – An Empirical Investigation," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 22(4), pages 227-247, December.
    4. Christian Jaramillo, 2009. "Research and Development in Culture: A Case for Cross Subsidies in the Arts," Documentos CEDE 5346, Universidad de los Andes, Facultad de Economía, CEDE.
    5. Christian Handke & Carolina Dalla Chiesa, 2022. "The art of crowdfunding arts and innovation: the cultural economic perspective," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 46(2), pages 249-284, June.
    6. Michael Getzner, 2004. "Exploring Voter Preferences in Cultural Policy: A Case Study for Austria," Empirica, Springer;Austrian Institute for Economic Research;Austrian Economic Association, vol. 31(1), pages 27-42, March.
    7. Kazuhiko Mikami, 2020. "On the emergence of non‐profit orchestras," Annals of Public and Cooperative Economics, Wiley Blackwell, vol. 91(2), pages 169-189, June.

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